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PechaKucha Night was devised in Tokyo in February 2003 as an event for young designers to meet, network, and show their work in public.

It has turned into a massive celebration, with events happening in hundreds of cities around the world, inspiring creatives worldwide. Drawing its name from the Japanese term for the sound of “chit chat”, it rests on a presentation format that is based on a simple idea: 20 images x 20 seconds. It’s a format that makes presentations concise, and keeps things moving at a rapid pace. Read more from PechaKucha Global.

PechaKucha Night was brought to you by Creative Fresno in December of 2008. We’ve now on our 7th volume of the event. After this event we will have showcased 74 creative presentations in this concise format to full capacity crowds. This presentations have led to an increased awareness about design in Fresno, has led to collaborations, and even business for local creatives.

For the 2nd day of National Architecture Week, please join us Monday evening at The Starline. Come at 7pm to get a drink and a good seat. Presentations will begin a 7:30. It will be a great creative evening that bridges architecture, photography, education, graphic design and mural art.

List of presenters

UPDATE: 4/7/10

The Fresno Bee has caught up with coverage of this fascinating building and interesting sequence of events that led to its discovery. Reporter, George Hostetter wrote the article that is feature on the website and on the front page of today’s paper.

Though, you may notice that the story told below starting on March 26th, written about on the 29th and updated since then is different from the story told in the Bee. From reading Mr. Hostetter’s article, you would have no knowledge of the tense series of events that happened moments after the facade was uncovered, including the diligent work of Joe Moore, Karana Hattersly-Drayton and Elliot Balch.

Granted the story is much more from the owner’s perspective. But reading the article I doubted myself, and that perhaps I missed something. However, looking back on corespondance, I had sent an email with link to owner, . He did not contest any of the facts I presented and responded with:

Thank you for your generous and helpful mention of my building. The use of the upper floors depends on the potential users who have an interest in locating their businesses there. My architect Gonzalo Pedroso of GP Architecture and I are open to ideas, and we will work to configure the space to meet the user’s needs. Suggested uses have been commercial or government offices, data center, and a school… – Robert Gurfield

I’d also emailed George Hostetter with a link to the article, leaving it open for him to quote or ask any questions. His response “Thank you very much, Kiel. That’s a great article you wrote. – George” I am sending an email to him to get any clarification about why the story was altered for his article. I will post any response here.

So I’m at a loss. At least the building facade is saved for the future of Fresno. That is what counts. Oh, and please note the owner and architect are “open to ideas” So continue to suggest uses for the Kress Building below.

UPDATE: 4/2/10

I had the owner’s name wrong in my post. The owner is Robert Gurfield. The contractor is William Cummings. I’ve corrected it below.

UPDATE: 3/31/10

We have word from the City of Fresno that the owner of the Kress Building, Robert Gurfield, has reconsidered the design he had approved. The owner, like everyone else didn’t know what was beneath the 1950’s facade. The owner’s new approach will be to keep the original facade intact. He will not be doing much restoration or preservation work. This may be more about cost savings than anything else.

The planned uses seem to be unchanged, with ground floor retail (1-2 tenants) and offices on the third floor (4 suites). There is also a meetingroom, breakroom and restrooms on the 2nd floor mezzanine in the back. There is not yet a use planned for the newly discovered 2nd floor mezzanine in the front.

The owner will likely have to have the architect, GP Architecture, prepare new plans. This maybe an addendum, or major modification to the plans already approved. I doubt the city would make the owner resubmit and go through the entire approval process again.

Lets keep our fingers crossed.

ORIGINAL POST 3-29-10

Fresno is a place where a stroll up the Fulton Mall can spark an effort to save a facade eligible for historic designation.

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That’s what happened to me on Friday. I was at the Downtown Association at the South end of the Fulton Mall after a birthday lunch at El Elegante in Chinatown.

Strolling up the Fulton Mall, between the Marisopa Mall and Fresno Street there was a construction site with several men at work on the awning of a building. There was a young girl of 5 or 6 glued to the temporary chain-link fence watching a worker with a sawzall attacking the awning.

I actually kept walking, then turned around to get a better look. What I saw when I actually looked, was a remarkable well preserved 1920’s facade. The cladding material was aged but still stable. The details were intact, displaying the craftsmanship of the era. Other than some broken windows and the metal channels that were screwed on to hold on the white sheet metal paneling.

I took a picture and sent it out for the world to see via twitter. At that time I thought that the construction work was to restore the original facade. I later found out that was not the case.

Local historic guru and Historic Preservation Commissioner, Joe Moore, saw my tweet and sprung into action. He forward y twitpic to City of Fresno Historic Preservation Officer, Karana Hattersley-Drayton. Soon the email chain involved Elliott Balch of the Downtown and Community Revitalization Department and John Dugan, the Planning Director.

From this back and forth I gathered that plans for a modernized facade had been approved and that was the work underway. Drawing for the project had been produces for owner out of Santa Monica, Robert Gurfield, by Moorpark architectural firm GP Architecture and contractor William Cummings

So what now? Elliott Balch is now in communication with the owner to demonstrate the valuable asset that he has on his hands. The hope is that the owner sees the light and decides to amend the approved plans to preserve this potentially historic facade.

So there you go, the power of a tweet. So keep your eyes open and camera phones at the ready. Oh, and just to be clear, I actually did very little. All the hard work was on the part of Elliott, Joe and Karana. I just take pictures and write about buildings.

Here is some info from Joe Moore’s email:

An October 27 1960 ad in the Fresno Bee (page 7E) makes reference to Kress being in the Fresno market for 36 years (1924). That date sounds about right given the architectural style and construction methods of the building (steel reinforced concrete with brick). Perhaps a Felchlin building? The alley side of the building reveals the concrete and steel construction.

The 1960 ad talks about Kress’ modern store at 1211 Fulton. A later 1973 article about Fresno cinemas mentions that Kress relocated their downtown store to the site of the former Kinema Theatre location (1211 Fulton) in 1957. This is now part of the County Health Dept complex, next to the Brix Building.

A hand painted sign, still evident today on the back of 1118 Fulton advertises the Hartfield Store on Fulton Mall, which is corroborated by vintage newspaper ads of the 1960’s.

In addition a July 5, 1924 Bee article about the construction of the Radin and Kamp Building at Fulton and Tulare makes reference to Kress, suggesting that they had been considering the Radin & Kamp site as a location for the construction of a new store.

At this point, while it’s too early to say for certain, I would presume that Kress built the 1118 Fulton building in 1924, and stayed there until 1957 when they moved to 1211 Fulton. 1118 was then remodeled for Hartfield which occupied the building till at least 1969.

Also of note: the National Building Museum in Washington DC is home to the archives of the Kress corporation, including thousands of original plans and photographs. Kress used architecture to differentiate their store from their competitors, Woolwoorth and Kresgee:

S.H. Kress & Co. (1896–1981) was one of the 20th century’s most prosperous variety-store retailers. Though never the largest chain, Kress maintained the highest per-store sales of any five-and-dime retailer for more than 20 years, beginning in 1927. The creation of an architectural division within the company played a key role in both attracting customers and facilitating sales.

Samuel H. Kress (1863–1955) envisioned his stores as works of public art that would contribute to the cityscape. To distinguish his stores from those of his competitors, namely F.W. Woolworth Co. and S.S. Kresge Co., he hired staff architects. Kress achieved retail branding success not merely through standardized signage and graphics, but through distinctive architecture and efficient design. Regardless of their style, from elaborate Gothic Revival to streamlined Art Deco, Kress stores were designed to be integral parts of their business districts and helped define Main Street America.

In 1989, the Museum secured the company’s building records, including thousands of drawings and photographs relating to the design, construction, and operation of more than 200 stores stretching from New York to Hawaii. The collection strikingly conveys the changing role architecture has played in recent retail history.
Also here’s an interesting write up on the restoration of the Kress building in Savannah, GA.

Below is the talk I gave at the Boomerang Reception held on 12/20/2009 at the CSUF Smitcamp Alumni House. I was the first speaker of the evening. The other speakers were Mayor Ashley Swearengin, CSUF President Dr. John Welty, FUSD Superintendent Michael Hansen, and FPU President Merrill Ewert. It was an honor to be included with such a prestigious list and take part in trying to attract talented professionals to boomerang back to Fresno. There was over 100 potential boomerangs in attendance.

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Welcome back to Fresno. My name is Kiel Famellos-Schmidt. I am here this evening representing Creative Fresno as the vice chair to the board of directors. And you were greeted at the door by our membership director, Andy Hansen-Smith.

Creative professionals are in the business of new ideas. This includes artists, architects, designers, scientists, among others. Another term used is “knowledge workers,” who make their living developing or using knowledge. Creative Fresno’s mission is to engage creative professionals to create a stronger community.

To that end we have numerous projects that encourage the lifestyle our constituency desires. Our mural project that has paid artists to create over a dozen murals downtown. We brought the global phenomena, Pecha Kucha Night, to Fresno to showcase the work of local designers. We organize monthly Blenders to connect creatives. We host an online listserv, MindHub.org, for creative discussions. In October, we held our second annual music festival of 40 local bands. We also partner with other organizations to create events like this Boomerang Reception that we are at today.

All of this is united by a membership of creatives that all have interesting stories. I’ll share a piece of my story about how I boomeranged back to Fresno after being educated at UC Berkeley and working in San Francisco, Mexico, Nicaragua, and Sri Lanka.

Three years ago, this week, I moved back to Fresno after two months of volunteer service in Sri Lanka. It was not long after the devastating tsunami that hit the island nation as well as an ongoing civil war. I spent my time amongst the tea lined hills of a town called Nawalapitya, to design an orphanage and community center to help fill the needs of a devastated people.

It was during my work in this beautiful but embattled landscape that I came to a realization. All of these challenges that I was trying to fight around the world, poverty, homelessness, unsustainable growth, access to resources, and access to quality and healthy housing. They all existed in my hometown. Not only did they exist in quantity, but I was intimately familiar with them from my childhood and young adult life.

I did not move back for the satisfaction of being a big fish in a small pond. It was not my family asking me to move back, they wished me to explore the best opportunity wherever it happened to be. I chose to move back to Fresno because I believe I’m uniquely suited to make an impact here, more than anywhere else in the world.

In these three short years, the impacts of my efforts can already be seen:
I joined Creative Fresno and organized the Pecha Kucha Night. The event’s 1 year anniversary this January 11th is entitled Benchmarks and Milestones. We built awareness of local design talent and introduced many creatives, who now regularly collaborate.

I founded and curate archop, a quarterly architectural exhibit and lecture series, accompanied by a built environment news and opinion website, archop.org. The exhibit in its third year, the website one year old. We’ve reached over 12,000 fresnans, who now know more about architecture and quality design.

26 other citizens and I co-authored the City and County of Fresno 10 Year Plan to End Chronic Homelessness. The plans first year goal of moving 100 chronic homeless individuals into housing has been met under the Swearingin administration

And most recently in November, with my partner Shaunt Yemenjian, starting up an architecture and urban design firm called Spacio Design with offices in downtown Fresno and Los Angeles. We have projects of various scales from Los Angeles to Hawaii. And we are taking advantage of new technologies and our city’s low overhead to be competitive with a global reach.

If you have the skills and passion to make Fresno a better place, I want to personally invite you back.

I now have the pleasure of introducing this city’s passionate and diligent mayor. Recently she was one of five mayors invited to Washington DC to attend President Obama’s job summit. Ensuring that our city has access to all the resources it needs

During her campaign for mayor, Ashley had given a response to a question that rang true for me. The question from a well respected architect, Paul Halajian, was “How can we get the talent here that we need?” Her answer was that the best and the brightest will be attracted because this is a rare place where young, intelligent people can lead and shape the future of this entire region. That is why I am here.

Please join me in welcoming Fresno Mayor, Ashley Swearengin.

In a new feature called impact we demonstrate how intelligent fresnans are influencing change in this city, region, national, and world.

I met Danielle Thiesen Bergstrom while working on the Vernacular Architecture Forum hosted in Fresno in 2008. At that time Dani was working as a staff planner with the City of Fresno. She had just been accepted to Cornell University for graduate studies in regional planning.

While Dani is now deep in academic pursuits, Fresno and the San Joaquin Valley remain a basis for her studies. In a recent return trip to the valley, she scheduled a series of interviews with key Fresnans. The goal was to gather input, data and interpretations to feed her thesis.

Working title: The Influences of Land Use and Housing Policy
on Concentrated Poverty Patterns in Fresno, California

Completion date: April 2010

Primary research question: What has been the influence of local, state, and federal land use and housing policy on concentrated poverty patterns (where it’s going, who it’s affecting, how it is growing, etc.) over time, primarily from 1970-2000 (easiest data to acquire) but even up to the present? What makes Fresno so unique in this predicament? What is preventing the stemming of these trends that we’re seeing in Fresno (i.e. the suburbanization of concentrated poverty, filling the inner-ring suburbs)?

Dani says that the goal of this project is to present findings, not necessarily recommendations. She is continually asked for solutions. She humbly admitted “the solutions can not come from me, singlehandedly–it needs to be a collaborative effort.”

List of individuals interviewed thus far:

Amy Chubb, Redevelopment Agency of Fresno
Keith Bergthold, City of Fresno Planning & Development Department Assistant Director
Keith Kelley, Fresno West Coalition for Economic Development President & CEO
Craig Scharton, City of Fresno Downtown & Neighborhood Revitalization Department Director
Nick Yovino, former City of Fresno Planning & Development Department Director
Preston Prince, Housing Authority, Executive Director
Rollie Smith, HUD, Central Valley Field Office Director
Kiel Famellos-Schmidt, archop founder & curator
Greg Barfield, City of Fresno – Homeless Prevention and Policy Manager
as well as other scheduled interviews

When we met for an interview it actually when both ways. I was asking her questions about the Cornell experience and her research. She collected my input on: 1) role as a community activist–what we do, what our vision is 2) The 10 Year Plan to End Chronic Homelessness for Fresno as well as the process 3) Thoughts on the non-profit sector engaging citizens to combat concentrated poverty.

The goal on this round of interviews was to gather the insights of local policy-makers/implementers in the City of Fresno. In future visits she may include interviews with residents and other community leader. Below are some initial maps she drafted to demonstrate the pattern of concentration of poverty in Fresno.

Update 10/15/09

A vote Cam Maloy cast in September is being reviewed for conflict of interest after she resigned from the commission. The 4-0 Planning Commission vote approved locked-in fees and requirements of a tentative tract map on a Granville project located just North of Tokyo Garden on Van Ness. Read more from the Fresno Bee.

Original Post

Thursday October 8th, Planning Commissioner Cam Maloy sent a letter of resignation to the City of Fresno after only four months as commissioner. The Fresno Bee writer George Hostetter reports

According to city documents, Maloy received two large personal loans from entities owned by members of the Assemi family. Farid, Darius and Farshid Assemi are brothers who have residential and commercial development interests throughout the city.

The Planning Commission is perhaps the most powerful nonelected body at City Hall, and often is the final word on the regulation and approval of development projects. Maloy had been on the commission for only four months.

Swearengin said she spoke with Maloy by phone Thursday afternoon.

“She offered to resign and I told her I thought that was the right thing to do,” Swearengin said Friday.

In her letter of resignation effective Thursday, Maloy told Swearengin she was resigning “in order to assure there is no real or perceived conflict of interest which will detract from the great work that the city and the planning commission are doing.”

Maloy’s brief stint highlights what city officials acknowledge is a flaw in the vetting process for commission nominees.

Maloy was appointed by Swearengin, and the City Council unanimously approved the appointment in June.

There was no council discussion, and the background information on Maloy dealt mainly with her extensive development experience in the private sector and with nonprofit groups.

Planning Commissioners play a very important role in our development as a city. It is crucial that the mayor, is deliberate in selecting commissioners that will represent the public’s interests equally. It is also crucial that our councilmenbers be more rigorous in vetting these appointments.

The article continues:

Swearengin said Maloy went through a pre-nomination interview, but a thorough check of her financial interests was not conducted.

After their appointments, commission members are required by the state to periodically file a statement of economic interests with City Hall.

When The Bee began asking questions about Maloy’s statement, Swearengin said, “It was the first that any of us knew of her financial connections to people who had development companies as well.”…

In a Thursday interview with The Bee, before she resigned, Maloy said she used proceeds from the Assemi loans to help buy a stake in Kamm South, a farming operation on the Valley’s west side.

She also said the Assemi brothers are among the many stakeholders in Kamm South.

Maloy said the Assemi brothers are friends of hers.

Swearengin said Maloy told the City Attorney’s Office of the loans, and was told she merely had to recuse herself from issues involving the Assemis.

But, Swearengin said, she is not satisfied with a technical compliance with conflict-of-interest laws: “We cannot have the public thinking that anyone has any ties to the projects that are coming before the commission.”

Several City Council members said they want more information on the financial history of future commission nominees. Swearengin said that will be a priority.

Swearengin said she is interviewing candidates to replace Maloy.

My hat is off to the Bee for investigating this and reporting it so well. Cam Maloy has a strong history of serving the community. She serves on the board of the Central Valley Business Incubator. And until recently served on the Historic Preservation Commission. She should be comended for her service. Despite this service we need to be very cautious of potential conflicts of interest.

I recall a Historic Preservation Commission meeting on June 22nd, 2009, Maloy spoke in favor of a Granville Homes proposal given by Darius Assemi. At the time Maloy was no longer serving on the HPC and beginning service on the Planning Commission. Looking back, this does seem inappropriate for a past Historic Preservation Commissioner or current Planning Commissioner to speak in favor of an applicant which she has financial ties to. It demonstrates the potential conflict of interest that may occur if she continued to serve on the Planning Commission.

To apply for the planning commission or other Fresno boards see the City Clerk webpage

From the City of Fresno website:

The City of Fresno Planning Commission is responsible for ensuring that the 2025 Fresno General Plan, Community and Specific Plans and the Zoning Ordinance are properly implemented. In addition, the Planning Commission takes action on various entitlements, as delegated by the legislative body (i.e. City Council). The Commission meets every first and third Wednesday’s of the month (unless otherwise noted below) at 6:00 pm in the City Council Chambers located at 2600 Fresno Street, second floor.

During these public hearings, the Commission takes action on the following entitlements:

* Subdivision tract maps.
* Appeals of Variances, Conditional Use Permit and Site Plan Review Applications
* Makes a recommendation to the City Council on all Rezone and Plan Amendment Applications
* Various policy and code updates, etc.

CITY OF FRESNO PLANNING COMMISSION

AUTHORIZATION: Fresno City Charter Section 906
TYPE: Charter
MEETS: 1st and 3rd Wednesdays at 6:00 p.m.
LOCATION: City Hall, Council Chambers
TERM: Four years
COMPENSATION: $100 per meeting, not to exceed 24 meetings
STAFF REP: Planning and Development Dept., Keith Bergthold 621-8003
Alt. Staff Contact: Joann Zuniga 621-8032
APPOINTMENTS: 7 members appointed by the Mayor with Council approval. Must be a City of Fresno resident.

Name: Term Expires:

Rama Dawar 6/30/2010
Jamie Holt 6/30/2010
Paul Caprioglio 6/30/2013
Serop Torossian 6/30/2011
Hal Kissler 6/30/2012
Rojelio (Roy) Vasquez 6/30/2011
Vacant

In a new series we are calling fresh archop will feature an individual in architecture or allied industry who has just relocated to the San Joaquin Valley, or returned after an extended absence. For the first edition we introduce a fascinating individual named Enoch Sears.

I first met Enoch via email. He’d responded to a blog post on Fresno Famous. At the time, he was living in Panama designing a Caribbean resort. An evening this August I discovered his return when we encountered each other the Fulton Mall. Below are his words regarding: growing up, education, travel, returning to the San Joaquin Valley, architecture, influences, design process, notable experiences, and what he is currently working on.
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Growing Up
I grew up right here in the Central Valley in Lemoore, forty minutes south of Fresno. My parents are originally from the Bay Area and moved to the Valley when my dad got a teaching job in Kettleman City around 1980. Some of my childhood memories include riding my bike around town and the surrounding farmland during the hot, dusty summers, exploring the canals and eucalyptus groves; and driving up the old two-lane Highway 41 with my parents to visit Fresno.
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Education
I studied architecture at Cornell University from 1998-2002. While at Cornell I participated in a unique design studio: Imagining Cuba in 2004. Interestingly enough, the studio was led by professor Milton Curry, a Fresno native who graduated from Bullard High School. For the studio, I designed a hotel/condo tower situated over a retail space that also housed an embassy for American Democracy. I have been captivated by the story of Cuba- especially how it relates to the concept of trying to choose an alternate form of lifestyle amidst our modern society. One of the most interesting classes I took at school was a class on Cuba (different from the design studio) that examined Cuba’s history and present situation from a sociological, architectural and historical perspective.
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Travel
I have traveled throughout the US, Central and South America (throw in a cruise to Nassau in the Bahamas – great salad bar!)- quite limited really. I spent last year (2008) in the Caribbean on an island of Panamabworking on pie-in-the-sky designs for a resort developer. As for architecture one of the buildings I’ve been most impressed with is the Kimbell Art museum in Dallas, TX. I have yet to delve into the architecture of Fresno. I’m awed each time I drive past those huge silos just north of Hwy 180 by the Tower District.
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Return to San Joaquin Valley
I moved away from the Valley for school and work, and then came back briefly around 2002. I then moved to Houston, Texas. I lived and worked there for five years primarily with Hawthorne Architects until I couldn’t stand the humidity any more. After a year abroad in the Caribbean my wife and I decided to come back to Fresno because of family ties and the fresh grapes. I love the arid air here! 100 degrees without humidity feels like 80 in Houston.
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Admired Architects
I admire the idea of “the architect”, the master builder, the creator. Most architects fall into this category more or less. Specifically, Sam Mockbee (1, 2, 3)and Glen Murcutt (1, 2, 3)for their explorations into the “local” and the vernacular, Frank Lloyd Wright (1, 2, 3) for his sheer power of creation, and I can’t leave out Le Corbusier (1, 2), the giant of modern architecture, + many more.
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Design Process
I design primarily in plan. Sketch, modify, sketch, modify, sketch. I admire boats and cars in that every piece has a function and this function is emphasized by design. I try to bring the same logic and beauty found on a boat to design. Beauty is a charged word. Sometimes a design is beautiful because of its sheer creativity or how it stimulates ones mind. The client is key to finding a proper design solution.
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Notable Experiences
Every meeting with a client is a notable experience. I love the human aspect of the business.
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Working on Now
I’m currently working on an apartment complex for Hanford, CA with architect Chas Rhoads as well as a residential remodel. I just received my architectural registration in Texas. Next step is to apply for reciprocity in CA and take the California Supplemental Examination (CSE). It is amazing the amount of paperwork and steps involved.
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Enoch Sears
Architect
LEED AP, AC

Construction.Consultation.Design
www.enochsears.com

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Please join me in welcoming back Enoch

If you are or know someone in the architecture field new to the area contact us.

It can be hard to realize how entrenched and polarized some arguments have become. Then someone witty comes along & turns the argument on it’s head.

That is what happened today when THE FRESNAN (who we’ve highlighted before) wrote a fantastic satire of a post that throws all the much debated changes to the Fulton Mall up North to the River Park pedestrian mall. Simple by changing the context we see the 40 year old argument anew.

The comments are an integral part of the post because predictably readers took it seriously.

Our hats are off to you Mike a blog well done.

While searching for a news article from the Fresno Bee, I stumbled upon an amazing resource. It was a webpage called Super Signage Fresno, CA. I’ve had a little obsession about signage for the past couple of months.

Unfortunately, THE FRESNAN stole my thunder and posted this early today. He pulled it from my twitter feed when I discovered the site yesterday. Mike has become an archop groupie giving the site his Bloggiest Moment of the Week for two weeks in a row. With lots of link love, I’ll let this one pass. But Mike, remember, the built environment is the realm of archop, stray too far and we will school you.

Now that that little blog warfare is out of the way… Digging deeper into the site called www.agilitynut.com, we see that Deborah Jane has collected an amazing inventory of Roadside Architecture from across the country. You can search type and even browse signage by place. There are even a sampling some of my favorite architectural styles including Art Deco and Mid-Century. I have not read much about the author yet. So, I’m wondering what is her method is for collecting all of this data. But one thing is sure, we’ll continue to use it at a resource.

In the sampling of Art Deco architecture. I saw this building. While slurping some Pho you may have noticed this architectural gem called the Ivory Tower. “The Ivory Tower stands in the parking lot of the Mayfair Shopping Center. The shopping center was built in 1945 and has since been remodeled. This remaining structure was used as the Administration Building and might also have contained a clothes shop.”

Take some time exploring the site. I’m sure it not comprehensive, so what are your favorites? What was missed?

I’m amazing in how much articulation there used to be in signage. It was part of the architecture not just the lighted boxed with replaceable copy that is so prevalent today. How do we get back to that? Where are the missed opportunities?

I’ve been hearing/reading alot about BLDGBLOG lately. So today I poked my head in the check out their site. Today’s post is titled “London Yields, Harvested” It was in reference to an event called “London Yields: Getting Urban Agriculture off the Ground” a kind of workshop covering how to get urban agriculture in London.

So here I am in Fresno, California. Above the soil capable of growing a great diversity of plants. In a climate with one of the longest growing seasons outside the tropics. About the harvest the corn growing in my front yard. And I think if London can get moving on urban agriculture, then Fresno can.

So where do we start?

The first thing BLDGBLOG mentioned was “become public policy”. This is a big one for Fresno because every one of our community gardens seems to be met with resistance from police or code enforcement in the City of Fresno.

There also needs to be the organization and popular support. Fresno Metro Ministries has some recomendations.

What do you think? Could be an urban farmer? Do you have a sunny spot and a few hours a week to tend?

And an important question would yo take a hands on class that I’m going to teach next spring about urban agriculture?

Via twitter the I found this post about landscape. I’m interested hearing fresnans talking about architecture, design equity, and the current archop topic landscape.

The Fresnan is a leading indie blogger.

So Fresnans, what are underused unkept landscapes in your routine? How could they be improved?